Little White Lies #99
The Asteroid City
£10.00
In this issue of Little White Lies we blast off to a space-obsessed town in 1955 for Wes Anderson's latest lavish adventure.
For this issue, we’ve embraced Wes’ love for colour, texture and hand-made craft by going all out on... Read More
In this issue of Little White Lies we blast off to a space-obsessed town in 1955 for Wes Anderson's latest lavish adventure.
For this issue, we’ve embraced Wes’ love for colour, texture and hand-made craft by going all out on all things hand-made. Contact was made with the filmmaker himself, who let us in on some personal insights regarding the making of this wonderful new feature. We speak to some of his longtime collaborators including cinematographer Robert Yeoman and leading man Jason Schwartzman, as well as brand new inductee Maya Hawke. And as a special side-project, we put together a carefully curated itinerary of items for a special intergalactic capsule to be blasted into space as a way to educate alien species on the Wes Anderson canon.
On the cover
Ali Mac’s incredible portrait of Jason Schwartzman’s widowed war photographer, Augie Steenbeck, made entirely out of felt, adorns the cover of this issue. Explore her work at alimacdoodle.com. Elsewhere in the issue we have new artwork from Oriane Dufort, Becki Gill, Claudia Mandagie, Molly Kirk, Lorena Spurio and Lucas Burtin.
In this issue
Lead Review: Asteroid City
David Jenkins lauds a possible magnum opus from filmmaker Wes Anderson, a weekend of wonder in 1955 that picks apart the very essence of creativity.
Memo Re. The Sudden Receipt of ‘New Recording 674.m4a’
A recorded missive from Wes Anderson, answering a series of questions sent to him by Sophie Monks Kaufman.
Tripping the Daylight Fantastic
Cinematographer Robert Yeoman on why Wes Anderson remains a sucker for 35mm film.
Written in the Stars
Hannah Strong meets Jason Schwartzman, the Wes Anderson totem whose own life mysteriously overlaps with his character in Asteroid City.
Touching Down in a Strange and Beautiful New World
David Jenkins talks to Maya Hawke, who is effusive about her first-time visit to Andersonville.
Itinerary of Proposed Cargo for ‘Wesplorer 4’ Space Pod
The vital task of teaching as-yet-undiscovered intergalactic species about the films of Wes Anderson is taken-on with aplomb by a gaggle of LWLies’ finest.
In the back section
Pedro Almodóvar
The Spanish legend talks to Anna Bogutskaya about unlocking his formative passion for the western in his spellbinding new short, Strange Way of Life.
Alice Winocour
The French filmmaker speaks to Hannah Strong about the nuances of recreating a real-life terrorist attack in her reflective new film, Paris Memories.
Sydney Sweeney
Charles Bramesco meets the Euphoria star pivoting with grace to experimental cinema as she discusses her role in Tina Satter’s chamber thriller, Reality.
Annie Ernaux and David Ernaux-Briot
The Nobel Prize winner and her son explain the process of digging up memories from the attic for their diary film, The Super 8 Years.
Harris Dickinson
Hannah Strong meets one of the most promising young actors working today to discuss his turn as beach blonde club promoter/absentee father in Charlotte Regan’s Scrapper.
Patricio Guzmán
The veteran Chilean activist-filmmaker speaks to Marina Ashioti and picks apart the political layers of his vital new film, My Imaginary Country.
In review
Pedro Almodóvar’s Strange Way of Life
James Mangold’s Indiana Jones and the Dial of Destiny
Alice Winocour’s Paris Memories
Claire Denis’ Stars at Noon
Riley Keough and Gina Gammell’s War Pony
Thomas Hardiman’s Medusa Deluxe
Tina Satter’s Reality
Barnaby Thompson’s Mad About the Boy: The Noël Coward Story
D Smith’s Kokomo City
Carolina Cavalli’s Amanda
Stephen Williams’ Chevalier
Annie Ernaux and David Ernaux-Briot’s The Super 8 Years
Jean-Paul Salomé’s La Syndicaliste
Charlotte Regan’s Scrapper
Dionne Edwards’ Pretty Red Dress
Léonor Serraille’s Mother and Son
Patricio Guzmán’s My Imaginary Country
Quentin Dupieux’s Smoking Causes Coughing
Shamira Raphaëla’s Shabu
Danny and Michael Philippou’s Talk To Me
Fyzal Boulifa’s The Damned Don’t Cry
Plus, Matt Turner selects six key home ents releases for your consideration.
The second edition of Marina Ashioti’s column Sticky Gold Stars, explores the queer undertow in the films of giallo maestro, Dario Argento.
Finally, team LWLies report their findings from the 2023 Cannes Film Festival with a round-up of gems and new discoveries.
Little White Lies is a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism to deliver an alternative perspective on the movie-going experience.