Aperture #257

This winter, Aperture presents "Image Worlds to Come: Photography & AI," a timely and urgent issue that explores how artificial intelligence is quickly transforming the field of photography and our broader culture of images. Moving beyond hype and hysteria, the essays, interviews, and artist portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography's relationship to creativity, authorship, and truth.

To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the "intelligence" of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer's role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography's relationship to reality, exposing how the idea of a "real photo" has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.

Aperture is a not-for-profit foundation, connecting the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.