Wire #514
£7.50
WIRE MAGAZINE 514 - GNOD ON THE COVER
Featuring:
Unlimited Editions: Blah Records rep the sounds of the North. By Tim Fish
The Inner Sleeve: Art Terry on Big Brown’s Between Heaven And Hell
Against the Grain: Music criticism needs to play its part in a wider intellectual discourse. By... Read More
WIRE MAGAZINE 514 - GNOD ON THE COVER
Featuring:
Unlimited Editions: Blah Records rep the sounds of the North. By Tim Fish
The Inner Sleeve: Art Terry on Big Brown’s Between Heaven And Hell
Against the Grain: Music criticism needs to play its part in a wider intellectual discourse. By Rafael Lubner
The Secret History of Film Music: Philip Brophy on Mark Korven’s horror scores for The Black Phone and Them
Epiphanies: OOIOO’s YoshimiO is picking up good vibrations
Soundcheck: Abstract Concrete; Antiphon Trio; Honey Bane; Bethlehem; Iris Casling & Sam Spencer; Chrome Chasm; Chúpame El Dedo; Sylvie Courvoisier; Deathwish TV; Deeer; William D Drake; Randall Dunn; Elsmer; The Fall; Free Form Society; Limpe Fuchs; Gordan; Poppy H; Marina Herlop; Holy Tongue; Ingri Høyland; Huerta Ensamble; Masami Kawaguchi & Anla Courtis; Mike Ladd; Giovanni Lami; Mary Jane Leach; Liminal; Hanne Lippard & Renato Grieco; Lustmord Lombardo; Ans M; Manas; more eaze; Bilal Nasser; Nick Nicely; Noh Age; Pharaoh Overlord; Éliane Radigue; Teresa Riemann; Robyn Rocket & People You May Of Heard Of; Chuck Roth; Mikel Rouse; Rubbish Music; Rizan Said; Brandon Seabrook; Matthew Shipp & William Parker; Richard Skelton & Lawrence English; Spydergum; Striped Light; Mayo Thompson; Tirez Tirez; Byron Westbrook
The Columns: Avant Rock by Noel Gardner; Dub & Reggae by Steve Barker; Electronics by Leah Kardos; Global by Francis Gooding; Hiphop & R&B by Mosi Reeves; Jazz & Improv by Daniel Spicer; Noise, Industrial & Beyond by Erick Bradshaw; Size Matters by Byron Coley
Boomerang: Budgie; Loren Connors; Julian Cope; Roky Erickson & The Aliens; Brigitte Fontaine; Noothgrush; Popol Vuh; Psychic Ills; Johari Salleh; SAS Group; Alfonso Soliano; Stephen Thrower; Stevie Wonder; XTC
Print Run: Lou Reed: Metal Machine Mystic by David Holzer; Songs My Mother Taught Me: Why The Artist Must Take Sides by Saul Williams; Voiceworks by Sarah Hayden; A Nation Of Tinkerers: A History Of Electronic Music In Canada From 1945 To 1985 by Michael Rancic; Stray Dog In The Milky Way: The Experimental Brazilian Sound Of Tom Zé by Christopher Dunn; Folkways Records: A Visual History Of Folkways Records Cover Art by Stuart Baker
On Screen: Holger Preuße & Philipp Quiring Hans Werner Henze: Komponist, Kommunist, Dandy
On Location: The Residents, New York, US; Impromonday Festival, Zagreb, Croatia; Nwando Ebizie: Ecstasy Of The Virtues, London, UK; Sonica, Glasgow, UK; Minimum Wage Immanence Unit x Luigi Marino + Shuiqingqing He + Laura Phillips x Oliver Brouwer, Bristol, UK; Ten Years Alive, Stockholm, Sweden; Haruomi Hosono, New York, US; Elliott Sharp Residency, London, UK; XMTR, St Leonards-on-Sea, UK
The Wire is an independent, monthly music magazine covering a wide range of alternative, underground and non-mainstream musics. The Wire celebrates and interrogates the most visionary and inspiring, subversive and radical, marginalised and undervalued musicians on the planet, past and present, in the realms of avant rock, electronica, hiphop, new jazz, modern composition, traditional musics and beyond. Passionate, intelligent and provocative