P.IN.E.A stands for Photography, Intermedia Et Al. and addresses contemporary photography and related media. Inspired by the pineal eye of primitive vertebrates—a centrally located, third eye that possesses photoreceptive properties and functions as a kind of compass for navigation—P.IN.E.A... Read More
P.IN.E.A #1
£25.00
P.IN.E.A stands for Photography, Intermedia Et Al. and addresses contemporary photography and related media. Inspired by the pineal eye of primitive vertebrates—a centrally located, third eye that possesses photoreceptive properties and functions as a kind of compass for navigation—P.IN.E.A Periodical aims to provide guidance in the cosmos of apparatus-generated images.
CONTENT
EXTENDED ROOM
Exhibitionary Complex: Poetics and Politics of Display, Works and⁄on Display. A collaboration between the University of Applied Arts Vienna and P.IN.E.A
EDITORIAL
Nela Eggenberger & Pia Draskovits
VISITS
Inge Dick: In Pursuit of Light—Thomas Seelig
INSIGHT
How Many Media Are Contained in an Image? Intermediality in Digital and Generative Environments—Annekathrin Kohout
FEATURES
Ganslmeier & Zibelnik—Abigail Solomon-Godeau | Thomas Demand—Thomas Oberender | Hagren ⁄ Bela—Nina Strand | Christiane Peschek—Nina Schedlmayer | Ana Torfs—Katharina Manojlovic
CARTE BLANCHE
One Eye Too Many?—Julia Sica
CONTEXT
200 Years of Photography: Creators and their Generators—Ruth Horak
SPOT ON
Heidi Horten Collection: Gottfried Bechtold—Margareta Sandhofer
25 Years of MuseumsQuartier Wien: Generation MQ—Lucilia Reckließ
PREVIEWS
Pierre Huyghe, Fondation Beyeler, Basel | Katherine Hubbard. The Great Room, Secession, Vienna | Gabriele Stötzer: Dabei sein und nicht schweigen, Gropius Bau, Berlin | Mohamed Bourouissa: Pour Noubia, Migros Museum für Gegenwartskunst, Zürich | Cyprien Gaillard, KUB, Bregenz | Fotofestiwal, Łódź
REVIEWS
Sheung Yiu: (Inter)faces of Predictions, C/O Berlin—Herbert Kopp-Oberstebrink | Maciej Markowicz: Above The River And Under The Sky, INN SITU, Galerie ⁄ BTV Stadtforum, Innsbruck—Barbara Unterthurner | Catherine Opie: The Pause That Dreams Against Erasure, Fridericianum, Kassel—Christin Müller | Hybrid Pleasures: Helen Chadwick Supported by Liesl Raff, Kunsthaus Graz—Niklas Koschel | Ella Maillart: Photographic Encounters, Photo Elysée, Lausanne—Daniel Blochwitz | Annegret Soltau: Uncensored. A Retrospective, Francisco Carolinum, Linz—Katharina Rustler
HOOKED ON BOOKS
Erik Kessels, Karel De Mulder: MAN | Trevor Paglen. How to See Like a Machine: Images After AI, Christine Furuya-Gössler: Photographs (1978–1985) | Chiara Calgaro: Changing Room | Beni Bischof: Psychobuch 2 | Michael Strasser: The Morning After
READING ROOM
Caroline Heider: Balance Studies – Photography for Everyone—Margit Neuhold | Lisl Ponger: Semiotic Ghosts—Helena Lang | Paul Virilio: Bunker Archaeology—Peter Kunitzky
British Journal of Photography is the world’s longest-running photography magazine. Each issue celebrates photography as both a practice and an art form, with emphasis on innovation and invention; the concepts and creative processes that inspire those rare photographs that have the power to grab and hold your attention.
22 × 29 cm
Softcover
96 pages
Spring 2026
English & German
ISSN 3061-1695
In Stock
British Journal of Photography is the world’s longest-running photography magazine. Each issue celebrates photography as both a practice and an art form, with emphasis on innovation and invention; the concepts and creative processes that inspire those rare photographs that have the power to grab and hold your attention.