{"product_id":"p-in-e-a-1","title":"P.IN.E.A #1","description":"\u003cdiv class=\"woocommerce-tabs wc-tabs-wrapper\"\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\"\u003e\n\u003cp\u003eP.IN.E.A stands for Photography, Intermedia Et Al. and addresses contemporary photography and related media. Inspired by the pineal eye of primitive vertebrates—a centrally located, third eye that possesses photoreceptive properties and functions as a kind of compass for navigation—P.IN.E.A Periodical aims to provide guidance in the cosmos of apparatus-generated images.\u003c\/p\u003e\n\u003cp\u003eCONTENT\u003c\/p\u003e\n\u003cp\u003eEXTENDED ROOM\u003c\/p\u003e\n\u003cp\u003eExhibitionary Complex: Poetics and Politics of Display, Works and⁄on Display. A collaboration between the University of Applied Arts Vienna and P.IN.E.A\u003c\/p\u003e\n\u003cp\u003eEDITORIAL\u003c\/p\u003e\n\u003cp\u003eNela Eggenberger \u0026amp; Pia Draskovits\u003c\/p\u003e\n\u003cp\u003eVISITS\u003c\/p\u003e\n\u003cp\u003eInge Dick: In Pursuit of Light—Thomas Seelig\u003c\/p\u003e\n\u003cp\u003eINSIGHT\u003c\/p\u003e\n\u003cp\u003eHow Many Media Are Contained in an Image? Intermediality in Digital and Generative Environments—Annekathrin Kohout\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003c\/p\u003e\n\u003cp\u003eGanslmeier \u0026amp; Zibelnik—Abigail Solomon-Godeau | Thomas Demand—Thomas Oberender | Hagren ⁄ Bela—Nina Strand | Christiane Peschek—Nina Schedlmayer | Ana Torfs—Katharina Manojlovic\u003c\/p\u003e\n\u003cp\u003eCARTE BLANCHE\u003c\/p\u003e\n\u003cp\u003eOne Eye Too Many?—Julia Sica\u003c\/p\u003e\n\u003cp\u003eCONTEXT\u003c\/p\u003e\n\u003cp\u003e200 Years of Photography: Creators and their Generators—Ruth Horak \u003c\/p\u003e\n\u003cp\u003eSPOT ON\u003c\/p\u003e\n\u003cp\u003eHeidi Horten Collection: Gottfried Bechtold—Margareta Sandhofer\u003c\/p\u003e\n\u003cp\u003e25 Years of MuseumsQuartier Wien: Generation MQ—Lucilia Reckließ\u003c\/p\u003e\n\u003cp\u003ePREVIEWS\u003c\/p\u003e\n\u003cp\u003ePierre Huyghe, Fondation Beyeler, Basel | Katherine Hubbard. The Great Room, Secession, Vienna | Gabriele Stötzer: Dabei sein und nicht schweigen, Gropius Bau, Berlin | Mohamed Bourouissa: Pour Noubia, Migros Museum für Gegenwartskunst, Zürich | Cyprien Gaillard, KUB, Bregenz | Fotofestiwal, Łódź\u003c\/p\u003e\n\u003cp\u003eREVIEWS\u003c\/p\u003e\n\u003cp\u003eSheung Yiu: (Inter)faces of Predictions, C\/O Berlin—Herbert Kopp-Oberstebrink | Maciej Markowicz: Above The River And Under The Sky, INN SITU, Galerie ⁄ BTV Stadtforum, Innsbruck—Barbara Unterthurner | Catherine Opie: The Pause That Dreams Against Erasure, Fridericianum, Kassel—Christin Müller | Hybrid Pleasures: Helen Chadwick Supported by Liesl Raff, Kunsthaus Graz—Niklas Koschel | Ella Maillart: Photographic Encounters, Photo Elysée, Lausanne—Daniel Blochwitz | Annegret Soltau: Uncensored. A Retrospective, Francisco Carolinum, Linz—Katharina Rustler\u003c\/p\u003e\n\u003cp\u003eHOOKED ON BOOKS\u003c\/p\u003e\n\u003cp\u003eErik Kessels, Karel De Mulder: MAN | Trevor Paglen. How to See Like a Machine: Images After AI, Christine Furuya-Gössler: Photographs (1978–1985) | Chiara Calgaro: Changing Room | Beni Bischof: Psychobuch 2 | Michael Strasser: The Morning After\u003c\/p\u003e\n\u003cp\u003eREADING ROOM\u003c\/p\u003e\n\u003cp\u003eCaroline Heider: Balance Studies – Photography for Everyone—Margit Neuhold | Lisl Ponger: Semiotic Ghosts—Helena Lang | Paul Virilio: Bunker Archaeology—Peter Kunitzky\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"British Journal of Photography","offers":[{"title":"Default Title","offer_id":52618581770522,"sku":"PINEA-001","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/files\/pineamag.jpg?v=1785847447","url":"https:\/\/villagebooks.co\/products\/p-in-e-a-1","provider":"Village","version":"1.0","type":"link"}