Little White Lies #88
The Minari issue
Issue 88 of Little White Lies
The Minari issue. Being able to champion films that have resonated with us is one of the greatest joys of working in film criticism, and a lot of love and thought has gone into creating a magazine that feels as special and intimate as this... Read More
The Minari issue. Being able to champion films that have resonated with us is one of the greatest joys of working in film criticism, and a lot of love and thought has gone into creating a magazine that feels as special and intimate as this semi-autobiographical film about Lee Isaac Chung’s childhood growing up on a farm in rural Arkansas.
In this issue
A review of Lee Isaac Chung’s Minari
Kambole Campbell delves into Lee Isaac Chung’s sun-bleached cine-memoir.
Hannah Woodhead picks apart the themes of Minari with its director, Lee Isaac Chung, and two of its stars, Steven Yeun and Alan S Kim.
In Another Country: An A-Z of Diaspora on Screen
Leila Latif and David Jenkins offer an alphabetical tour of immigrant communities on film.
Phuong Le revisits the first US film to boast a fully-Asian cast: Henry Koster’s 1961 musical, Flower Drum Song.
Les Enfants Terribles
Charles Bramesco grinds his axe against the wheel of terrible child performances in movies.
Dimensions of Dialogue
Grace Barber-Plentie and Rōgan Graham explain how they amplified Black voices around the release of Steve McQueen’s Small Axe series.
Threads: The Baseball Cap
Christina Newland’s regular column on clothes and film unloads the political weight of the baseball cap.
Little White Lies is a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism to deliver an alternative perspective on the movie-going experience.