{"title":"Photobooks","description":"","products":[{"product_id":"vanity","title":"Vanity","description":"\u003cp\u003eCoco Young’s first major publication, Vanity, explores the constructs of identity within an information and image-driven context where existential ideals govern social etiquette. Young combines analogue documentary photography with digitally-produced body-scans, bringing the transformative power of technology to bear on the human exterior, deforming it from its seemingly natural state. Water—a once public and abundant resource that is now bottled, sold, and manipulated to create artificial products—provides the allegorical seedbed in which Young's explorations of the human surface take root.\u003c\/p\u003e\n\u003cp\u003eYoung, a former fashion model, is influenced by her own experiences in an industry where temperamental ideals of beauty encourage the desire for a self-produced public persona. Young's prototype is the mythical Narcissus and his infatuation with his own image as it appears—distorted ever so slightly—in the pool of water in which he gazes. In Young's perception, both Echo (the lover Narcissus rejects) and Narcissus' reflective pool materialize as the engrossing and immersive experiences of smartphone-powered social media.\u003c\/p\u003e","brand":"Bemojake","offers":[{"title":"Default Title","offer_id":13827605060,"sku":"9780956247070","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Vanity_Coco_Young-8.jpg?v=1566559294"},{"product_id":"sunless","title":"Sunless","description":"\u003cp\u003eIn Sunless by Tiane Doan na Champassak, beauty is pursued across the disintegrating boundaries between male and female. The images in Sunless, taken in Thailand between 2012 and 2013, form the second part of a larger body of work-in-progress, born out of a persistent urge to photographically confront questions regarding gender and sexuality.\u003c\/p\u003e\n\u003cp\u003eSunless highlights the different shades between what today’s society accepts as male or female, and explores what is considered the norm in terms of gender and sexuality. Whilst homosexuality tends to be well represented in today's contemporary art scene, very little space is made for works that deal with bisexuality and transgenderism. Photographic works on these themes remain within a niche of militant art that rarely reaches a wider audience - as if confrontation with such work is too disturbing or even too threatening for individuals and society.\u003c\/p\u003e\n\u003cp\u003eTiane Doan na Champassak’s work is driven by a fascination with gender identity issues, revealing a decidedly aesthetic sensibility. For each body of work, whether gallery prints or limited edition books, he seeks out the most appropriate techniques, materials and formats. In Sunless, transgressive sexual encounters have been captured by the photographer on Ilfochrome film and interspersed with stark monochrome impressions of the urban architecture in which they are anchored. Consequently, Sunless pushes the limitations of offset printing to the limit by attempting to accurately reproduce Ilfochrome prints through the use of high pigmentation inks combined with silkscreen varnish, juxtaposed with large format matte-varnished duotone images.\u003c\/p\u003e","brand":"Editions du LIC","offers":[{"title":"Édition Rouge","offer_id":13827613636,"sku":"EDL-010817-ROUGE","price":125.0,"currency_code":"GBP","in_stock":false},{"title":"Édition Blanc","offer_id":42643428872,"sku":"EDL-020817-BLANC","price":125.0,"currency_code":"GBP","in_stock":true},{"title":"Édition Bleu","offer_id":42643428936,"sku":"EDL-030817-BLEU","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Sunless-40.jpg?v=1501846233"},{"product_id":"gold-country-real-estate","title":"Gold Country Real Estate","description":"‘Gold County Real Estate’ by Bryan Dooley creates rhythmic contradictions through it’s layout and pictorial content, a proxy reality is created existing in a space at once arbitrary and fantastical, questioning the viewers relationship to the image and it’s ability to fulfil expectations.\u003cbr\u003e\u003cbr\u003ePhotographic conventions are ruptured through manipulation of the photographs surface, causing the image to exist in a visceral space where the image as an object is not simply re-presenting the past but instead challenges the indexical history of the photograph from the present.","brand":"Études","offers":[{"title":"Default Title","offer_id":13827614788,"sku":"9782953350685","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Gold_County_Real_Estate-2.jpg?v=1553450257"},{"product_id":"the-mountains-of-majeed","title":"The Mountains Of Majeed","description":"\u003cp\u003e‘The Mountains Of Majeed’ is a reflection on the end of ‘Operation Enduring Freedom’ in Afghanistan through photography, found imagery and Taliban poetry. Edmund Clark looks at the experience of the vast majority of military personnel and contractors who have serviced Enduring Freedom without ever engaging the enemy. He distils their war down to a concise series of photographs of the two views they have of Afghanistan: what they see of the country over the walls or through the wire of their bases, and what they see of representations within these enclaves that they never leave.\u003c\/p\u003e\n\u003cp\u003eAt Bagram Airfield, the biggest American base in Afghanistan and home to 40,000, the view outside is dominated by the mountains of the Hindu Kush. Embedded with the U.S. military, Clark’s photographs show a dystopian relationship between the looming presence of the mountains around Bagram and the man-made landscape within the walls. Inside he found mountains appropriated for murals in conference rooms and propaganda on walls.\u003c\/p\u003e\n\u003cp\u003eOn the wall of a dining facility a series of paintings by an artist called Majeed take the viewer to a different Afghanistan of lush mountain passes. Clark says: ‘Their location on the wall of a dining facility on America’s main base is significant. How many tens of thousands of pairs of western eyes have registered the pastoral peace of these mountainscapes? Has anyone considered what they say of the country they are playing a part in occupying?’\u003c\/p\u003e\n\u003cp\u003eWars of resistance are characterised by technologically-advanced powers in fortified enclaves fighting far less sophisticated but fluid insurgents hidden in the landscape, sapping the occupiers’ resources and will.\u003c\/p\u003e\n\u003cp\u003e‘The Mountains of Majeed’ vividly illustrates this endgame to the war in Afghanistan. Two sides divided by concrete walls and a gulf in technology and understanding. At Bagram the local insurgents still send rudimentary rockets into the concrete and gravel of the world’s busiest military airfield. Like the mountains in which they hide they are ever present; watching beyond the walls, waiting for the end of Enduring Freedom.\u003c\/p\u003e","brand":"Here Press","offers":[{"title":"Default Title","offer_id":13827626756,"sku":"9780957472488","price":27.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/The_Mountains_Of_Majeed_Edmund_Clark-2.jpg?v=1566993442"},{"product_id":"moonshine","title":"Moonshine","description":"Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother.\u003cbr\u003e\u003cbr\u003eVan Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia – the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work – another register of time passing and the inevitability of change.\u003cbr\u003e\u003cbr\u003eBertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography.","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":13827643012,"sku":"9781907946622","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Moonshine-2.jpg?v=1551725774"},{"product_id":"gathered-leaves","title":"Gathered Leaves (SIGNED)","description":"\u003cp\u003eAlec Soth’s reputation as one of the leading lights of contemporary photographic practice is largely predicated on the books he has published. This unusual catalogue accompanies a touring exhibition which uses the four major bodies of work which Soth has published as books since 2004 as the structural basis for both a mid-career retrospective and an investigation of Soth’s prescient understanding of the various and distinct applications of photography as a tool for storytelling across diverse media. The title of the exhibition comes from Walt Whitman’s poem Song of Myself (1855) and references both the pages of his books gathered for consideration and the notion that his work is also a story about Soth himself.\u003cbr\u003e\u003cbr\u003eSoth's meteoric rise to international acclaim began with his first book,Sleeping by the Mississippi, published by Steidl in 2004. The book has sold through numerous print runs and has long been out-of-print. It embodies not only a moment in which a new and original voice emerged with an unusual ability to transpose subtle and highly personal stories of local American life, but also marked a significant early event in the photo-book publishing boom we are currently experiencing. The success of his two subsequent volumes, Niagara (2006) and Broken Manual (2010), combined with the hugely influential exploration of self-publishing under his Little Brown Mushroom imprint, have all reinforced Soth’s position as a master of the book form. The recent success of Songbook (2015) has seen a return to the mainstream of book publishing.\u003cbr\u003e\u003cbr\u003eThis catalogue is a special object, bringing together an essay by Aaron Schuman spread across 29 large format postcards, with mini facsimile versions of Soth’s 4 books (3 of which are now out-of-print), all housed together in a luxurious printed and embossed clamshell box.\u003cbr\u003e\u003cbr\u003eBox:\u003cbr\u003eEmbossed cardboard box with 4c printed paper cover and interior printed 1c. (228 mm x 223 mm)\u003cbr\u003e\u003cbr\u003ePostcards:\u003cbr\u003e28 large format postcards printed one side with the images from the exhibition. With an essay by Aaron Schuman spread across the backs of the cards. 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The bodied-ness of this food stuff has an uneasy, uncanny, relationship with the surface-less photograph, and this is a situation that the pictures exploit through humor and ickiness. The book itself is as much object as book with its contents in shifting orientation and the whole thing sealed shut with a sticker.\u003cbr\u003e\u003cbr\u003eThere was a Phillips 66 gas station just beyond the border of the neighborhood I grew up in which had two employees that looked, each in his own way, remarkably like Santa Clause; at least it was remarkable in the sense that there were two of them in this one gas station. I saw them often because they would sell me cigarettes before it was even remotely plausible that I was old enough to be buying them. They were $1.35 when I started. It was 1992. 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I chose them because I use them everyday. Everyday objects with the figure of Everyman.” The book employs hand-made fonts combined with narratives purposefully jangling and rattling the viewer along with this eclectic panoply of possessions. Peter, a child of the Airfix generation, recorded this vibrant collection of scarecrows over 40 years and presents this array as an autobiography.\u003c\/p\u003e","brand":"RRB Photobooks","offers":[{"title":"Default Title","offer_id":31569569022037,"sku":"9780993232305-S","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Something_Means_Everything_to_Somebody-2.jpg?v=1548779654"},{"product_id":"way-far","title":"Way Far","description":"\u003cp\u003eSince first coming to prominence 10 years ago, Ryan McGinley has ushered in a wholly new language of photography: images that are uniquely grounded in our contemporary moment while simultaneously evoking an idyllic timelessness. 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Whether hiking on peat covered mountains, swimming in crystalline lakes, or rolling around in vast fields of tall grass, the artist's images of bodies in pastoral scenes have been his signature, and his triumph has been his ability to evoke the almost dream-like state that comes with that kind of freedom.\u003c\/p\u003e","brand":"Rizzoli","offers":[{"title":"Default Title","offer_id":39453397123157,"sku":"9780847846917","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/WAYFAR-39.jpg?v=1625863091"},{"product_id":"gold-dust","title":"Gold Dust","description":"\u003cp\u003eVillage is proud to present our latest publishing project in collaboration with London-based photography trio Tripod City. Gold Dust is an exploration into contemporary Ghanaian culture.\u003cbr\u003e\u003cbr\u003eThe project combines the candid street scenes of Chris Lee, the poised portraiture of Paul Storrie and the erratic energy of Charlie Kwai, to shift perspectives and present an honest, intimate and at times humorous portrait of everyday life in Ghana.\u003c\/p\u003e\n\u003cp\u003eThe photographs collected in Gold Dust exhibit a diverse and alternative view of the country and its people, seeking to challenge the stereotypes cast upon the African continent.\u003c\/p\u003e\n\u003cp\u003eSigned copies available, including a genuine Ghanaian sticker. 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The book, a reproduction of a dummy made in 2011, offers an intimate portrait of these women as they attend hospital appointments for gender reassignment surgery, interact with tourists, pose for photographs or simply spend a day at the park. All in Pinckers unmistakable cinematic style.\u003c\/p\u003e\n\u003cp\u003eThey say: In the series Lotus, Max Pinckers and Quinten De Bruyn document the world of transgender people in Thailand. The gender crisis that the so-called ladyboys face is transformed into a visual metaphor about the identity crisis that contemporary documentary photography currently encounters, when it dares to reflect upon itself critically, and confront its paradoxes.\u003c\/p\u003e\n\u003cp\u003eThe documentary photographer that captures reality as 'a fly on the wall' can’t deny his or her directive and manipulative role any longer. The anonymity, the seeming absence, is merely a pose. 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With illuminating texts by Mosse and the philosopher Giorgio Agamben, the 576-page book combines film stills from the artist’s latest video work made in collaboration with electronic composer Ben Frost and cinematographer Trevor Tweeten – a haunting and searing multi-channel film installation, accompanied by a visceral soundtrack. Journeys made by refugees and migrants across the Middle East, North Africa, and Europe are captured with a new weapons-grade surveillance technology that can detect the human body from 30.3km. 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Technology, he posits, operates as fetish and prop for the spectre of masculinity, and the set of images he creates in Basic Pleasure Model wryly reflect this through the visual parodying of bizarre phallic prosthetics, laser-effects and surreal explosion montages.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘In these […] times it should be expected that fetishistic cultural fantasies are likely to emerge in response to the feelings of “lack” and “fragmentation” arising out of apocalyptic notions of cultural endings. This is especially so for the masculine subject, for his troubles are compounded by postmodern decenterings and subsequent losses of power and privilege. One way to fill that lack is to try to prop up the old order in the face of change, to maintain old certainties and traditional subject positions.’ *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e* Fernbach, A. 2000: The Fetishization of Masculinity in Science Fiction: The Cyborg and the Console Cowboy\u003c\/p\u003e","brand":"Self Published","offers":[{"title":"Default Title","offer_id":30948541235285,"sku":"RPBPM","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Basic_Pleasure_Model_-_Cover.jpg?v=1575648583"},{"product_id":"trial-and-error","title":"Trial and Error","description":"Trial and Error is an accumulation of artworks, photographs, videos and installations that Reinis Lismanis has made over a period of six years. \u003cbr\u003eLismanis has been exploring photographic production and the traditional systems that lie behind the scenes of its processes and methods. \u003cbr\u003eIn a self-reflective manner, his work both acknowledges and challenges the conventional structures of image making, exhibition display systems and artistic production in general. \u003cbr\u003eThis publication is a comprehensive overview of the artist’s recent practice, in a non-hierarchical way mixing snapshots from his studio and trips to various cities around the world with documentation of exhibitions the artist has recently held. \u003cbr\u003e“I have found photography, in its classical mode of being, to be an extremely fertile ground to stand on, albeit a limiting one as well. \u003cbr\u003eAs part of my explorations, looking at the intrinsic elements of production – be they technological, social, economical – is often the point of departure, and everything is as important as everything else,” Lismanis states.","brand":"Skinnerboox","offers":[{"title":"Default Title","offer_id":31700605501525,"sku":"9788894895346","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Trial_and_Error-2.jpg?v=1581259643"},{"product_id":"sophie","title":"Sophie","description":"\u003cp\u003eFrench photographer Camille Vivier met Sophie through a casting agent around four years ago. “I was looking for a very athletic woman for a photoshoot,” she recounts. “When I met Sophie, I was not only fascinated by her powerful, sculptural body but I was also drawn to her face which is sweet, feminine and tender. I felt that Sophie had a lot to say through her bodybuilding practice – it is, or at the time was, a reconstruction of herself in both an allegorical and a physical sense.”\u003c\/p\u003e\n\u003cp\u003eSophie embodies many of the qualities that the photographer seeks to convey through her work: the architectural nature of the bodybuilder’s form encapsulates both the subject and object dynamic that so intrigues Vivier, while simultaneously blurring the boundaries between preconceived notions of femininity and masculinity. “I felt that by reshaping herself with a very intimate, strong and personal motivation to feel good and comfortable with her own image, Sophie was reshaping the criteria of what the feminine body is supposed to be.” (Another Magazine)\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":31752707244117,"sku":"9789493146341","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1022\/3793\/products\/Sophie_by_Camille_Vivier_-_Cover_f0885288-72dd-471d-b386-050348759082.jpg?v=1582301039"}],"url":"https:\/\/villagebooks.co\/collections\/photobooks.oembed?page=50","provider":"Village","version":"1.0","type":"link"}